This project was conceived just after I had finished the "Month of Moons" project, about the time I was teaching HUM 201HN, a Grand Canyon University course on intersections between the arts, humanities, and sciences. The main student project in this course was to present a project that described some kind of intersection between art and science, using some artistic medium.
The scientific concept I was trying to describe was the Fibonacci sequence, which is connected to the Golden Ratio. It happens that the Fibonacci sequence, in which succeeding numbers are the sum of the two previous numbers (1, 1, 2, 3, 5, 8, 13, 21 . . .), describes a spiral which can be seen in many natural structures (do a Google Images search on the Fibonacci sequence, and you'll see what I mean).
I'd intended to finish this project in a month (since I only needed 14 images), but in practice, it took me over a year.
I had several issues:
- The lens I was using (the M.Zuiko 14-150mm f4.0-5.6) proved difficult to focus in the dark. Since it didn't have a scale on the manual focus ring, I attempted to focus manually on the moon using the magnifying viewfinder, as suggested by sources. That method sometimes did not produce focused images. So, I used auto-focus whenever I could, but the autofocus was constrained by the position of the moon in the frame (if the moon were too close to the edge of the frame, it was impossible to get the AF to target the area). I didn't understand the magnitude of this problem until I began the compositing process.
- To get the images to composite correctly (using the Olympus Workspace feature), I shot at two focal lengths (150mm and 100mm), so that I could resize in Workspace. That issue, plus the limit on the number of photos that could be composited in Workspace, limited my options unacceptably.
- A few days per month, even in Arizona, were cloudy, plus, using my ephemeris program to plot the position of the moon in the sky sometimes made me miss the optimum dark time for shooting. Therefore, even the initial phase of the project took more than a month.
I finally was able to composite a complete image in GIMP, using the RAW files generated by my shooting process. Using GIMP gave me more control over image enlargement and placement. So, the end result is not optimal--I'd prefer to have the phases of the moon show more consistently throughout the spiral, and I would like to shoot these images in sequential order as well. So, let's call this project a first draft.